So What

Newport Jazz Festival 1958. The year that accelerated jazz into a new era. The white race was catching sight at black music, and Anita O’Day, white as snow, swinging “Sweet Georgia Brown” and “Tea for Two”. Fashion was cool, simple and stylish. It was high-level art and completely irresistible. The world would find itself and the music exploded.

She was 10 years old and explosive. She had just saved her father from committing suicide. Or maybe he used her, realizing he would not die by drinking a whole bottle of snaps in one go. However, the gas? Turned up to minimum strength, she barely noticed, when she opened the window and shouted for help, while her father lay in a bloodstream with a hole in the head. Her nose and the smell of alcohol and blood mixed with gas saved them. She had had some experiments with her father’s “circus performance”, making sure he did not jump out in front of a train at North Harbor Station. The repeating pattern: dad on a bender/mom wants a divorce/dad threatens suicide. “Oh, my dear, poor daddy!” Subsequently she drove her mother to madness with psychological questions. Was she malicious? Did she try to save herself by releasing her pain in this helpless manner; did she really resemble her father that much? She had to find out if her mother could withstand her pain and sorrow without giving up, like her father, because she felt empty, selfless and abandoned.

Now her world should change too, so she could find herself for real. What a process, what a chance. In addition, life, so damn slow, lying right there like a big bleeding sparkling love ball, calling for help.

The fool
loses face
So What

Mona Larsen

So What

Two Pieces

cocaine

when we’re done having sex, he asks me to blow his cousin in the adjoining room…

greyhound racing life of a side piece

.

ice cube tray

two bottles of vodka
four bottles of beer
a few eggs
a bottle of mustard

filling up on emptiness someone’s leftovers

Robin Smith

Two Pieces

From the Office of Professional Responsibility

Dear Citizen in Violation (CIV),

You have received this OPR notice as a result of a complaint filed by the Minister of Perpetual Admiration (MPA). He has provided us with screen captures that indicate you are in clear violation of CODE #336-/1. Namely, you have posted online material in defiance of the recent decree regarding The Czar of Everything (CZAR).

Additionally, we have in our possession multiple YouTube videos in which you impersonate The Czar of Everything. All those who impersonate The Czar of Everything, who continually repeat his name mockingly, are subject to severe reprimand, so The Czar of Everything has decreed.

You will be visited by two Officers of Redaction (OR). They will assist or complete your Departure.

The loyal staff of The Czar of Everything thanks you for your past patriotism.

Sincerely,
The Minister of Professional Responsibility (MPR)

 

island retreat
native birds outnumbered
by egg-eaters

Peter Newton

From the Office of Professional Responsibility

3 Pieces by Nicholas Klacsanzky

Subway Window

The best time I had was when I forgot myself. I don’t know why I ever came back.

the subway car window
shows only darkness . . .
and my reflection

.

Dervish

I can’t figure out if mysticism is ecstatic or a sham. I go between Sufi dancing and wanting fame. Not everyone can sleep in the sand.

emptier
than emptiness:
our first name

.

Idealism

I have never been on hard drugs, but it seems like I am. The cacophony of conversations in the cafe melds into my thought process and my mental silence. I thought I was high on meditation this morning, but I guess coffee can cut through inner calm, despite our idealism.

rain or snow?
I remove myself
from myself

 

Nicholas Klacsanzky

 

 

3 Pieces by Nicholas Klacsanzky

Not So Wunderbar

I read somewhere that an as-yet-undisclosed brand of artificial sweetener is manufactured by Oompa-Loompas, captured and enslaved by the U.S. Government in the heart of an as-yet-undisclosed location (but I’ll bet my Monopoly salary it’s Area 51). They say everyone is paid in packets, with a few cacao beans here and there as incentive for overtime. Even the little ones labor 18 hour days. They say the Oompa-Loompas are overworked, sleep-deprived, and so strung out from snorting their crystalline rations they can’t even wiggle free from their infant-sized shackles.

And all to compete with the coconut sugar industry. Those poor little Loompa babies. For shame. Won’t someone please think of the children?

intelligent design –
does my wallet look fat
in these jeans

 

Elizabeth Alford

Not So Wunderbar

Instant

By the next evening, it was undrinkable. The heat wave had done its work. I flinched and turned my head. Yes, I thought. Undrinkable.

Still, I fancied, as I stared into the mug still three-quarters full with mushroom coffee, that I could see a new civilization of fungi forming islands on the surface. The coconut oil was nutrient-rich, dense, but of course, limited.

I wondered: might the life forms sprung from this brown ocean be intelligent? Might they walk, dance, sing? Fall in love? Write poetry? Build homes, have jobs, families? Tell tall tales of their heroic ancestors’ deeds around a campfire? Might some fight for rights to the oil as others strike and strike back in protest? Might they slaughter their own without mercy on dark, decaying streets? Might they be the instruments of their own destruction?

I hesitated at the sink for only a moment and sniffed the moldy coffee again—allowed the unique, dank smell of life itself to wash over me one final time—then dumped the mixture, resolutely, down the drain.

suspension —
this place between
atoms & eve

 

Elizabeth Alford

Instant

3 tiny haibun

through the silence clicks from the central heating ticks from the clock

black against black
in the car park a crow
pecks at the frost

*

strings and a bow that’s all it takes though maybe a hand would help and a shoulder to cry on

snowman plays Bach
a scarecrow Vivaldi
who cares

*

all my best work thrown out with the rubbish this sea of troubles

corrugated iron
a crow silhouetted
perched on a wave

 

Diana Webb

3 tiny haibun

The Specialized Evolution of the Mutated Ant

With undisclosed sources of funding, our project was going quite well. The objective was to develop a secret society of super-ants which would combat terrorism, cause humans to hide underground like sand dogs. Within a large container supplied with piped in air, we grew several colonies of mutated ants. We observed and noted their daily behaviors. They built cities and highways, erected small pyramid-shaped monuments. Over a period of time, many grew bigger, stronger, could even stand upright. According to Heiseman, Fletcher, et. al., a scenario was outlined.
The ants rose from their cities, climbed along the walls of the glass and ate their way through the black rubber tops, which they must have mistaken for a betrayal of sky. Several must have hid in the back rooms of the lab and it was theorized that one of these killed the night watchman and escaped. The night it happened to me, I was in a sound sleep. Perhaps it located my whereabouts by gamma-Ga radiation.
I heard the clomping, something climbing up the steps, a slow, heavy rhythm, the sound, I imagine a serial killer makes to let his victim know what is in store. I awoke to the giant ant, pinning my arms to the bed with its virulent pincers. This mutated ant, I remembered, was one of my most fascinating subjects and we spent hours studying each other from either side of the glass receptacle. Staring into my face with its gleaming marble eyes and in a low, clear voice resembling my own, it now asked, Who is your god?

Berkely’s solipsism
i said wing dings, junior,
& no bugs in my bugles

Kyle Hemmings

The Specialized Evolution of the Mutated Ant

3 miniatures

miniatures: 6

a flush in the hand you are holding still enough to compensate for the death that waits due north of this death

your pulse
syncopates—
scag clouds

miniatures: 16

taking the chance the thrill the not knowing the him the her the me or any of this dank matter held together by the weak forces that will inevitably cause our decay

twilight—
waiting to be picked up
by the blockchain

miniatures: 30

anyway take my trade tiny cop imposter and mute the bond yet smelted warm to the slob touch of a grasshopper

midnight sun—
grooming the coats
of roadkill

 

Brendan Slater

3 miniatures