Tales of Love

Twenties

Alcohol poured on double grief. Delirium Tremens. Three faces (not Pound’s petals) on a clothes horse, at night, menacing, nodding, we know, we know! A well-wrought poem quelled atavistic fears, silenced the chattering voices. A gothic novel beside the fire, the taste of foam from large bottles of stout, bracing, belief in something more, maybe a love affair. Not a great aspect from the front room – a suicide burial ground at the crossroads. Ballybough (reclaimed from the sea) Boy Does Well! Through the arch of Trinity College. Academic silence. Editor of Icarus, long established literary magazine, affording some importance, in demand among poets in pubs. Companions, oblique-minded; one found dead, stone cold at a leaking gas fire in College rooms. Another, rolling cigarettes with claw-like nicotine-stained fingers. Habitué of the psychiatric wards. Sheltered accommodation at last. Was love not at all possible for them? More like honourable obsessions. Intimacy opening a fault line, turbulent waters rising within. Again, a persisting poem, tugging at the sleeve, righting a listing mind.

Thirties

From where did she come when my breathing was shallow? Not the girl next door. For better, for worse, for richer, for poorer. Vows abandoned. A drunk’s dried-out dinner in the oven. No, not of this world. A plume of lilac blossoms for the bare formica table. A glistening orange when I was sick. A picnic on a park bench in spring. I was reaching, breathlessly. She placed three kisses on my cheek, took a broken vase and repaired it with gold, to hold flowers. Lilies the colours of ice. A dark crimson rose, fire still burning there. She planned to gather irises in the local park, but I never saw her again. Persephone abducted by Hades? Body of young woman found in Fairview Park.

Forties

Curious shire horses buffeted me in the short-cut field. In the car between the hedgerows, her skirt snagged on my haversack and lifted. Was the intense attraction we felt, evidence of a death imprint? Both survivors, witnesses of death too young. Could love erase the numbing mark? Indelible? Introduce our chilled selves to blue skies? Eat strawberries from her garden? A light kiss that last night on the writers’ retreat. Love had been seeping in all week. Taste of toothpaste. A longer kiss leaving in the morning. An empty train station. Trains spawning distance. A wish that they would collide. So broken, a collision, an attempt at intimacy. Letters, keepsakes crossing the Irish Sea. Walking a tightrope, slacking. The subterfuge was killing her. First to the post in the morning. ‘Trollop!’. ‘Home wrecker!’ The death imprint was deep within us. Feel nothing so that death can be redundant, not repeated? In dreams, hands holding the pain of our survival. Truer, sadder lives to live, even at a distance..

Fifties

Through the ornate metal archway of the old park, to a wooden bench in the shade, a bower, away from joggers, walkers, racing dogs and children playing. The furtive nature of our meetings. Holding hands only at night, kissing down a side street. Was there a boyfriend, a husband? I didn’t question the secrecy too closely. Smitten. Old couple following the sun from bench to bench. ‘He’s ninety, you know!’ Suddenly, her tongue inside my mouth, doing somersaults, knocking off my trilby hat. In bed, facing each other, kissing, cherishing. In some kind of love. Her other love began to appear, furtively, behind a tree, in a cafe. Persistent. Riding shotgun at her flat, enabling her bulimia? Frail, shoulder blades sharp. I asked, ‘how is she?’ His reply, I like your hat.’

Gerry McDonnell

Tales of Love

The White Rabbit

Straight down the rabbit hole—
Never a goodbye, never a hello—
He is more nonsensical
Than you know,
Always in a hurry
To get nowhere fast,
Like the driver who’ll pass you,
So impatient, on the road
When you’re already speeding.
But he is late, late,
For a very important date—
Will call Mary Ann “Alice”
And Alice “Mary Ann.”
And what’s up with that?
Who is his dream girl anyway,
And does he even know?

a fat bee lands
on a lazy daisy . . .
the riverbank

Anna Cates

The White Rabbit

Open Sesame

A cat is not where she appears— Walking to
and fro the horizon. Asking. Am I close enough.
Have I come close enough to you. And she
means it as much. But something is shifted. By
someone. In an old loft somewhere. The horizon
is stretched out again.

receding
into outer space—
a ball of wool

Vishal Prabhu

Open Sesame

Lost Little Death

Over the hills one can see war-vultures, circling. My heart is in danger: its enemies prepare for the kill. I want to let light in, but light itself comes apart. I want to listen to the soothing sound of the rain, but every raindrop falls on broken stones.  Only the long, white syllables of my last Ah’s and Oh’s can be heard. I drool in my sleep as a wake of hungry vultures perch upon my tongue.

smouldering moon
together we will burn
these etchings

Réka Nyitrai & Alan Peat

Ekphrastic haibun based on ‘El Buitre Carnivoro’, Francisco Goya
(c. 1815-1820)

Lost Little Death

Catharsis

nettle patch
on a large dock leaf a stage
for shadows

Butterflies shine in transformation. As they flit between each surface sting to sting translucency grows. Mere reflections.

crack willow
leaf edges sun-silvered
Ophelia’s mirror

Diana Webb

Catharsis

Line and Sinker

I joke a lot about my big toes clown it up hardy har har spin my maiming into attempts at hilarity pull up the pictures to nauseate friends make light of the little piggies’ abrupt freakishness how repulsive a woman would undoubtedly find them the sheer fright they’d give a young child to behold gallows kind of stuff with emphatic bitter edge but when I scrub them in the shower at night stare down at whilst seated upon the the commode I’m not laughing if you’ve ever been permanently disfigured in some conspicuous noticeable way from an injury suffered on the worksite of a lowly minimum waged menial job during performance of routine duties in a manner which could easily have been prevented via better training, equipment, oversight, application of PPE adherence to proper OSHA regulations and furthermore to your knowledge since your wounding policies which caused it remain in place if you’ve been unable to afford even getting the most basic ‘look-see’ appraisal of the damage by a medical professional in reality it ain’t all that funny at every place I work I hear this one so very often

under an oak
counting for
the thunder

Jerome Berglund

Line and Sinker

In Retrospect

The Walrus said, “I weep for you,
I deeply sympathize.”*

Alice, life is a curious madhouse.
People shuffle in and out.
Somebody wants your head.
Every path leads to somewhere,
but you can’t go back to yesterday.

Never disappear for good.
But if you do
crawl through the wrong door,
come to the wrong party,
break your teacup—
eat me, drink me
such beautiful soup—
lose your muchness till you don’t
care which way you ought to go,
tomorrow is always another day
to while away and naysay,

tweedle by the sea
till your torso turns to paper,
you drip sand like an hourglass,
or your pig with wings flies in
to take you away, and you wake
from nonsense or reason.

day moon
a strange elixir
morning dreams

Anna Cates

*Through the Looking-Glass (1871) by Lewis Carroll.

In Retrospect

Adam’s Brain

Warm lustre, in it the hard seems softer. Blurred reflections on a matte surface, suspended by a raspberry sound. There is no wall. There are only walls. (What are walls?)

A single bird begins to sing. Is that a blackbird? How does a blackbird sound? Why am I thinking ’blackbird’? Chequers. I, 471/0 T, request data. The data is incomplete. An idea of me asks for … coffee. I get one, a cup in the niche. I haven’t asked. I have no mouth. Indeed, there is no coffee. I am not … awake. I do not sleep. Am I … was I … human?

A peony unrolls into the aether. 471/0 T is in stasis and waits.

residual sweetness
in a secondhand jacket
squadron of drones

steel neurone constructions
the last coffin
on earth

50 years before.
:
She laughs. It’s one of those laughters you’ll never forget, heavy, rough, but then, eventually, you do. “You really think we’ll survive, I mean, us humans? After wars and climate crisis, Eroica, Kant, AI, everything?”
:
I stare at the giant oak trees behind us. “No, I don’t expect us to survive. We might live, and yet. We might lose the final, ultimate possession: connection. The memory of anything being real, including ourselves. Who knows, maybe we’ll invent a life after death and save the planet, or maybe 95% of us will die in wars, famines or in a contaminated world. We might fly up to the stars and live among them. I am quite confident though we’ll cut ourselves off one day. It’s just too hard to accept that we’re a mistake we’re unwilling to learn from.”
:
She goes quiet, picks something up from the picnic blanket.
:
It’s an apple seed.

Kati Mohr

Adam’s Brain